![]() Closer to the lens’ 1.15-foot limit, the opposite was true and most of the shots were soft. The autofocus had a near-perfect hit rate with moving subjects several feet away. The lens is fast enough for portraits and freezing subjects at a walk but slows down when working at close range. The autofocus is generally fast, but not quite as robust as Canon’s or Sony’s. The motors are quiet enough not to draw attention to the photographer. The Leica 50mm f2 SL uses dual drive autofocus motors. Leica lists these tech specs for the 50mm Summicron:įield angle (diagonal, horizontal, vertical): 47.2°/40°/27.3°Īperture Setting/function: Electronically controlled aperture, set using turn/push wheel on camera, including half and third valuesīayonet/sensor format: L-Mount, full-frame 35 mm format Otherwise, the innovation here is what’s innovative about Leica’s other lenses - durable all-metal design. This is not the low-quality version of the f1.4, just a low bokeh version. What’s unique with the way Leica handles these lighter f2 lenses is that they still focus on eliminating aberrations and other distortions. The 50mm f2 is really meant as a lighter alternative to Leica’s 50mm f1.4 Summilux. And I paired it with a WANDRD wrist strap. ![]() I used the Leica 50mm f2 SL with the Panasonic S5. About 25% lighter than the Leica 50mm f1.2 SL ![]()
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